Author(s): Anne Ganteführer-Trier
Fractured forms: Deconstructing perspective with Picasso and peers Pioneered by Picasso and Braque, Cubism has been described as the first avant-garde art movement of the 20th century. With inspiration from African and Native American art and sculpture, its practitioners deconstructed European conventions of viewpoint, form, perspective to create flattened, fragmented, and revolutionary images.
Picasso's celebrated painting Les Demoiselles d'Avignon is typically regarded as the original cubist work, with its radical fracturing of objects and figures into distinct areas, corresponding to multiple different viewpoints. Cubism thereafter developed two distinct trends: Analytical Cubism, which continued to interweave perspectival planes in muted blacks, greys and ochre, and later Synthetic Cubism, characterised by simpler shapes, brighter colors, and collage elements such as newspaper.
This book presents the prime protagonists of Cubism, with work from artists including Pablo Picasso, Georges Braque, Fernand Leger, Juan Gris, Albert Gleizes, and Robert Delaunay. About the series:
Each book in TASCHEN's Basic Genre series features:
About the Series: Each book in TASCHEN's Basic Genre Series features: A detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period. A selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist. Approximately 100 colour illustrations with explanatory captions.