The Theatre Of The Absurd

Description

The 'Theatre of the Absurd' has become a familiar term to describe a group of radical European playwrights - writers such as Samuel Beckett, Eugene Ionesco, Jean Genet and Harold Pinter - whose dark, funny and humane dramas wrestled profoundly with the meaningless absurdity of the human condition. It is a testament to the power and insight of Martin Esslin's landmark work, originally published in 1961, that its title should enter the English language in the way that it has. Now available in the Bloomsbury Revelations series with a new preface by Marvin Carlson, The Theatre of the Absurd remains to this day a clear-eyed work of criticism on a compelling period of European writing.

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Martin Esslin's landmark work exploring 20th Century European avant-garde theatre.

Author description

Martin Esslin OBE (1918-2002) was a prolific dramatist, producer and translator, as well as being one of the most perceptive theatre critics of the 20th century.

Table of contents

Acknowledgements Foreword Forty Years On Introduction: The Absurdity of the Absurd 1. Samuel Beckett: The Search for the Self 2. Arthur Adamov: The Curable and the Incurable 3. Eugene Ionesco: Theatre and Anti-Theatre 4. Jean Genet: A Hall of Mirrors 5. Harold Pinter: Certainties and Uncertainties 6. Parallels and Proselytes 7. The Tradition of the Absurd 8. The Significance of the Absurd 9. Beyond the Absurd Bibliography 1: The Dramatists of the Absurd Bibliography 2: Background and History of the Theatre of the Absurd Index